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Cabaret (Revised 1987)

The scene is a night club in Berlin, as the 1920's are drawing to a close. The Master of Ceremonies welcomes the audience and assures them that, whatever their troubles,they will forget them at the Cabaret. His songs provide wry commentary throughout the show. On the train to Berlin we find Cliff, a young American writer, and Ernst, a German who surprises Cliff by putting his briefcase among Cliff's luggage at the German border. History is in the process of being made.

Musical numbers include It Couldn't Please Me More, Willkommen, Cabaret, Don't Go, The Money Song and Two Ladies.

We find Cliff on the train again, now leaving Berlin alone. He writes about Sally and the people of Berlin leading up to the Third Reich. It has been a tumultuous and heartbreaking era.


** Restrictions apply on this title. Please contact our office for more information. **

  • Full Length Musical
  • Drama

  • Time Period: 1920s, 1930s
  • Target Audience: Adult
  • Set Requirements: Unit Set/Multiple Settings
  • Cautions: Mild Adult Themes

  • Performance Group:
  • Dinner Theatre, Community Theatre, Professional Theatre, Blackbox / Second Stage /Fringe Groups, College Theatre / Student
** Restrictions apply on this title. Please contact our office for more information. **

"Welcome to the Cabaret" sings the Emcee of the Kit Kat Klub through painted lips, as the people of Berlin 1929 join him. Three Broadway versions of this show (1967, 1987, 1998) follow the same story and share more songs. Numbers only in the Revised 1987 version include I Don't Care Much, Don't Go and The Money Song. All three versions include Willkommen, Perfectly Marvelous, Tomorrow Belongs to Me, Cabaret, Don't Tell Mama, It Couldn't Please Me More and Two Ladies.

Heading for Berlin in a railway compartment is Clifford Bradshaw, a young impoverished American writer who has been roaming Europe in an increasingly frantic search for the inspiration for novel number two. He is joined by Ernst Ludwig, an attractive young Berliner who appears to be in the smuggling business. When Cliff inadvertently helps him, Ernst gratefully gives him the name of a likely rooming-house in Berlin.

It is Fraulein Schneider's house. She rents Cliff a room for half its  usual price. She shrugs her shoulders. She's lived through so much -- nothing is that important (So What?).

Cliff takes out his typewriter. But it's New Year's Eve. Ernst has mentioned a cabaret called the Kit Kat Klub. At the moment it seems much more inviting that the typewriter.

The Kit Kat Klub is a cross-section of Berlin night-life: thronged with fat, middle-class Germans -- prostitutes -- homosexuals -- the flotsam and jetsam of a doomed city.

As Cliff enters the Emcee introduces Sally Bowles, a young English girl. As Sally sings Don't Tell Mama, it becomes apparent that her voice is the main reason for her employment. Max, the club owner, keeps looking at her in a proprietary fashion. But Sally is looking at Cliff.

Sally arranges to meet Cliff. He invites her home, but she refuses -- explaining that "Max is most terribly jealous."

The next day Sally suddenly appears in Cliff's room with her baggage. Max has thrown her out. Can she stay with Cliff? Cliff finally agrees (Perfectly Marvelous).

The Emcee and two frauleins indicate that everybody in Berlin lives with somebody (Two Ladies).

Fraulein Schneider is being courted by Herr Schultz, a widower who lives in her house. He is Jewish and the owner of a fruit shop, from which he brings her a costly pineapple (It Couldn't Please Me More).

Months pass. Cliff is getting nowhere with his novel -- but enjoying life with Sally. But Sally is pregnant. Cliff is upset -- then happy. Ernst arrives to offer him a job smuggling a briefcase into Germany. Needing the money, Cliff accepts.

Everyone in Berlin earns money in strange, illegal ways, the Emcee announces (The Money Song).

Fraulein Kost, a prostitute, discovers that her landlady, Fraulein Schneider, is having an affair with Herr Schultz. Herr Schultz announces they are to be married in three weeks (Married). Sally arranges an engagement party at the fruit shop.

Cliff arrives at the party with the smuggled suitcase. He hesitantly gives it to Ernst, who wears a swastika arm-band. Ernst decides to leave, but Fraulein Kost lures him back by singing a Nazi song (Tomorrow Belongs to Me). When all the guests join in exultantly, the party suddenly turns sour.

The Emcee and Kit Kat Girls do a Rockette routine which turns into a goose-step.

Fraulein Schneider breaks her engagement to Herr Schultz. She is afraid the Nazis will come to power (What Would You Do?)

The Emcee echoes her predicament. He's in love with a female gorilla (If You Could See Her).

Cliff decides to take Sally home to America. Berlin is not going to be any place to raise a family. But Sally refuses. She loves Berlin and her life there (Cabaret).

They have a savage argument. Sally disappears -- returning the next day. She's had an abortion. Heartbroken, Cliff prepares to leave alone, secretly hoping she will join him in Paris. But Sally informs him she's always hated Paris. Cliff sadly closes the door behind him.

In the train Cliff begins to write about Sally and the people in Berlin as, in his memory, they surround the compartment -- singing, dancing, living on the toboggan that led to the Third Reich.

Premiere Production: Cabaret was revised for Broadway, first in 1987, where it played for 261 performances at the Imperial and Minskoff Theatres.
  • Casting: 3M, 3F
  • Casting Attributes: Strong Role for Leading Woman (Star Vehicle), Room for Extras, Ensemble cast, Strong Role for Leading Man (Star Vehicle)
  • Casting Notes: The original Broadway production had a cast of 27 performers, including chorus. Some doubling was employed in the minor parts.
  • Chorus Size: Medium

  • Principals:
    MASTER OF CEREMONIES (EMCEE) - The host at the Kit Kat Klub
    CLIFFORD BRADSHAW - An American novelist
    FRAULEIN SCHNEIDER - A landlady who rents rooms in her large flat
    HERR SCHULTZ - One of Frl. Schneider's roomers and the proprietor of a fruit shop
    FRAULEIN KOST - Another of Frl. Schneider's roomers. Earns a living by offering favors to sailors
    SALLY BOWLES - A British cabaret singer at the Kit Kat Klub

    Ensemble:
    ERNST LUDWIG - A friendly and likeable German
    TELEPHONE GIRL - Also Lady #1 in No. 8 "Two Ladies" and Klub Girl #1 in No. 6 "Telephone Dance"
    CUSTOMS OFFICER - Also Maitre D' at the Kit Kat Klub
    TWO LADIES - #1 also Telephone Girl in No. 4 "Telephone Song"; #2 also Klub Girl #4 in No. 6 "Telephone Dance"
    MAÎTRE D' - Also Customs Officer
    MAX - Sally's jealous Klub acquaintance. Non-speaking ensemble dancer.
    KISSING COUPLE - He: also Second Sailor. She: also Lady #2 in "Two Ladies"
    3 GERMAN SAILORS - Ensemble dancers. Second and Third Sailors are non-speaking, Second Sailor is also Kissing Man in No. 6 "Telephone Dance"
    5 KIT KAT KLUB GIRLS - Ensemble singers. Girl #4 is also Lady #2 in "Two Ladies"
    5 KLUB WAITERS - Ensemble singers
    BOBBY - Ensemble dancer
    VICTOR - Ensemble dancer
    ASSISTANT CUSTOMS OFFICER - Non-speaking
    TAXI MAN - Non-speaking
    GORILLA - Non-speaking
    2 NAZI GUARDS - Non-speaking
    GIRL ORCHESTRA (STAGE BAND) - Tenor Saxophone, Trombone, Drums and Piano/Accordion

    Ensemble:
    COMPANY SATB SINGERS AND DANCERS, KLUB PATRONS and FRUIT SHOP GUESTS.