"Who said smashing things up was a bad thing?"
"[A] bloody great bruise of a play which borrows, magpie-like, from Sarah Kane but which is always distinctively itself. It has a shard-like lyricism that tears through the heart. It finds the comic in the tragic... a shattering 80 minutes."
The Guardian
"In a relatively short space of time Stef Smith has established herself as a remarkably diverse and elusive playwright... her most assured to date."
The Times
"Dazzlingly deft... there are so many reasons to love this piece... a must-see."
Independent
"Smith's script is dense with tense and memorable imagery... packed with powerful language."
The Stage
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