alphabetical author index

Richard Rodgers & Lorenz Hart

Work by the author

Babes in Arms (Guare Version) By Jupiter I Married an Angel
On Your Toes

Author's Bio

Richard Rodgers (1902-1979) and Lorenz Hart (1895-1943) wrote their first shows together when both were still students attending Columbia University. After writing a series of musical comedies for the University's Varsity Shows and other charities, they made their professional debut with the song "Any Old Place With You," featured in the 1919 Broadway musical comedy A LONELY ROMEO.

Their breakthrough came with the score for a 1925 charity show, THE GARRICK GAITIES, which introduced the classic valentine to their hometown, "Manhattan." From 1920 to 1930 Rodgers & Hart wrote an astonishing array of musical comedies for Broadway and London's West End. At their pinnacle the team was writing an average of four new shows a year, and among these were: DEAREST ENEMY, BETSY, PEGGY-ANN, THE GIRL FRIEND, CHEE-CHEE and A CONNECTICUT YANKEE.

In 1930 the team relocated to Hollywood, where they contributed songs and wrote the scores for several movie musicals, including the landmark LOVE ME TONIGHT starring Maurice Chevalier; THE PHANTOM PRESIDENT starring George M. Cohan; HALLELUJAH, I'M A BUM starring Al Jolson; and MISSISSIPPI starring Bing Crosby and W.C. Fields.

They were lured back to New York by legendary Broadway producer Billy Rose in 1935 to write the songs for his circus musical spectacular, JUMBO. Their score introduced "The Most Beautiful Girl In The World," "My Romance" and "Little Girl Blue," and Rodgers & Hart were back on Broadway.

From 1936 to 1943 Rodgers & Hart wrote a series of Broadway musical comedies, each of which seemed to top the one before in terms of innovation and box office success. ON YOUR TOES (1936), BABES IN ARMS (1937), I'D RATHER BE RIGHT (1937),I MARRIED AN ANGEL (1938), THE BOYS FROM SYRACUSE (1938), TOO MANY GIRLS (1939), HIGHER AND HIGHER (1940), PAL JOEY (1940), and BY JUPITER (1942) dazzled Broadway in spectacular succession, and collectively offered such classic songs as "There's A Small Hotel," "I Wish I Were In Love Again," "My Funny Valentine," "Where Or When," "The Lady Is A Tramp," "Spring Is Here," "Falling In Love With Love," "Sing For Your Supper," "This Can't Be Love," "I Didn't Know What Time It Was," "It Never Entered My Mind," "Bewitched," "I Could Write A Book," "Nobody's Heart," and "Wait Till You See Her."

The partnership disbanded temporarily early in 1943 when Rodgers collaborated with Oscar Hammerstein II on OKLAHOMA! The Rodgers & Hart partnership resumed with a revision of their 1927 musical comedy A CONNECTICUT YANKEE, and the new production (which featured six new songs including "To Keep My Love Alive") opened on Broadway November 17, 1943. Already ill at the time, Lorenz Hart died less than a week later.

Richard Rodgers then pursued a career with Oscar Hammerstein II, and their collaboration over the next two decades resulted in the following musical plays: CAROUSEL (1945), ALLEGRO (1947), SOUTH PACIFIC (1949), THE KING AND I (1951),ME AND JULIET (1953), PIPE DREAM (1955), FLOWER DRUM SONG (1958) and THE SOUND OF MUSIC (1959). The team wrote one movie musical, STATE FAIR (1945), and one for television, CINDERELLA. (1957). Oscar Hammerstein II died in 1960.

Richard Rodgers continued to write for the musical stage for the rest of his life; his fortieth, and final, Broadway musical, I REMEMBER MAMA, opened on Broadway less than eight months before his death on December 30, 1979. In March of 1990, Richard Rodgers was honoured posthumously with Broadway's highest honour when the 46th Street Theatre was renamed in his honour. In 1999, Rodgers and Hart were each commemorated on United States postage stamps.